Metamodernism
Metamodernist Art and Philosophy.
An explanation of metamodernist art and philosophy, which combines elements of both modernism and postmodernism.
Metamodernism, the artistic and philosophical movement that emerged in the late 20th century, has gained significant attention for its unique approach to blending elements of both modernism and postmodernism. This enigmatic movement is characterized by its rejection of the binary oppositions that defined these two preceding movements, opting instead to navigate a complex terrain that acknowledges both progress and skepticism, sincerity and irony. In this article, we will delve into an exploration of metamodernist art and philosophy, examining its origins, key principles, notable artists and thinkers associated with the movement.
To understand metamodernism fully, it is essential to grasp the context from which it emerged. Modernism was a cultural movement that dominated much of the 19th and 20th centuries. It celebrated progress through science, technology, industry and embraced ideas such as rationality and objectivity. It sought to break away from tradition's shackles by championing innovation across various disciplines including art.
However, postmodernism arose as a reaction against modernist ideals during the latter half of the 20th century. Postmodernists challenged notions of objective truth by emphasizing subjectivity and relativity in all aspects of life – including art. Postmodern art rejected grand narratives in favor of questioning authority structures while embracing irony and pastiche.
Metamodernism emerged as a response to both modernist optimism about progress as well as postmodern skepticism towards any overarching truths or principles. It recognizes that despite criticism against grand narratives or universal truths presented by postmodernists – there exists an inherent human desire for meaning-making beyond mere relativistic existence.
The term "metamodernism" was first introduced by cultural theorists Timotheus Vermeulen & Robin van den Akker in their essay "Notes on Metamodernism." They argued for a shift towards an attitude they termed "metaxis" – which represents oscillation between opposing poles, embodying both sincerity and irony, hope and despair.
Metamodernist art encompasses a wide range of mediums, including visual arts, literature, film, and music. Artists embracing this movement often combine elements from various artistic periods while acknowledging their historical context. They are not afraid to engage with complex ideas or emotions while maintaining a sense of self-awareness.
One example of metamodernist art is the work of American painter Eric Fischl. Fischl's paintings often depict scenes of suburban life that appear ordinary on the surface but contain underlying tensions and ambiguities. By juxtaposing realism with surrealism, he creates a sense of both familiarity and disquietude – a characteristic feature of metamodernism.
In literature, David Foster Wallace's novel "Infinite Jest" is frequently cited as an exemplar of metamodernist philosophy. Wallace explores themes such as addiction, entertainment culture, depression through intricate narratives that weave together multiple perspectives and timeframes. His use of footnotes further blurs the boundaries between fiction and reality – inviting readers to question their own perceptions.
Metamodernist philosophy emphasizes the importance of embracing complexity rather than seeking simplistic answers to life's existential questions. It recognizes that human existence is characterized by contradictions – our simultaneous desires for stability and change; authenticity and performance; hopefulness in the face of uncertainty.
Philosopher Peter Osborne argues that metamodernism seeks to transcend postmodern relativism by reintroducing notions such as authenticity or truth without sacrificing postmodern skepticism entirely. It acknowledges the limitations inherent in any single perspective while still aspiring towards something beyond subjective experience alone.
Metamodernism also engages with political discourse by revisiting previous ideological frameworks in an effort to find new possibilities for societal progress. It rejects cynicism prevalent in postmodern political thought - instead advocates for active participation in shaping a better future through collective action.
Artists like Olafur Eliasson embody this political engagement through their work. Eliasson's installations often address urgent global issues such as climate change, inviting viewers to contemplate their relationship with the natural world. By combining aesthetic beauty with a call to action, he encourages individuals to confront and address the challenges facing our planet.
In conclusion, metamodernism represents a compelling fusion of modernist and postmodernist ideas. It acknowledges both the inherent human desire for meaning-making and skepticism towards any single truth or perspective.
Metamodernist art and philosophy embrace complexity, irony, sincerity and seek to transcend previous dichotomies by navigating a nuanced landscape that embraces uncertainty while still aspiring towards progress.
By engaging with diverse perspectives, embracing contradictions, and actively participating in shaping society's future – metamodernism offers an alternative framework for understanding our contemporary world.